"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
2008 : Nights and Weekends (co-réalisé avec Joe Swanberg) 2017 : Lady Bird 2019 : Les Filles du docteur March (Little Women)
VS
Neil Marshall
2002 : Dog Soldiers 2005 : The Descent 2008 : Doomsday 2010 : Centurion 2015 : Tales of Halloween - segment Bad Seed 2019 : Hellboy 2020 : Sorcière (The Reckoning)
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"- Ça vous dirait un petit échange dans la ruelle, derrière le bar ? - Si c’est un échange de fluides corporels, je suis pas contre. Mais alors dans ce cas, tu passes devant."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
2000 : The Cell 2006 : The Fall 2011 : Les Immortels (Immortals) 2012 : Blanche-Neige (Mirror, Mirror) 2015 : Renaissances (Self/less)
VS
Lee Unkrich
2010 : Toy Story 3 2017 : Coco (coréalisateur avec Adrian Molina)
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
2003 : Zéro Défaut 2008 : Versailles 2011 : L'Exercice de l'État 2018 : Un peuple et son roi
VS
Jonathan Dayton & Valerie Faris
2006 : Little Miss Sunshine 2012 : Elle s'appelle Ruby (Ruby Sparks) 2017 : Battle of the Sexes
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."