Ah mais oui. Mais ça s'est largement calmé avec la démocratisation d'Internet : finie l'époque où les stars US cachetonnaient au Japon sans qu'on le sache.
Mais Tommy Lee Jones, lui, reste l'exception qui confirme la règle.
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
2009 : Guy and Madeline on a Park Bench 2014 : Whiplash 2016 : La La Land 2018 : First Man : Le Premier Homme sur la Lune
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
2003 : Lady Chance (The Cooler) 2006 : La Peur au ventre (Running Scared), 2009 : Droit de passage (Crossing Over) 2013 : American Stories (Pawn Shop Chronicles)
VS
Michaël R. Roskam
2011 : Bullhead (Rundskop) 2014 : Quand vient la nuit (The Drop) 2017 : Le Fidèle
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."