Modérateur: Alegas
Mark Chopper a écrit:Tu auras le choix entre ça et une comédie avec Richard Anconina.
''It's the third most difficult film I've made after 'Jaws' and 'Saving Private Ryan'.
I think there is a distinction between a physical challenge, which was both 'Jaws' and 'Saving Private Ryan' and another kind of challenge, which is trying to do something technologically new that has never been done before.
Going from a live-action, real-world production - with sets and props and extras and chases and all kinds of rigmarole - to digital capture in a volume (performance capture stage), sometimes with just a day in between, created a level of effort I had never experienced before.
I had to learn how to make a film like this while I was making a film like this. And that meant a lot of trial and error.
I was only getting four or five hours sleep a night, because I Was always thinking about what I was going to do the next day. So it was maybe the most sleep-deprived experience I've ever had making a movie.
I had a lot of experience that gave me confidence to say, 'This is the time to tell this story'.
I probably would have been just as tired at 29 as I was at 69. Puppies get more tired than old dogs. They run around and fall asleep.
Old dogs measure their distance a little bit better - based on the experience of being an old dog."
While it lacks edginess, subtleties or the genuine dread to explore life in a complete technocracy, it does find the Iron Giant battling Mechagodzilla while a rock-heavy soundtrack featuring everything from Blondie to the Bee Gees underscores the mayhem.
On paper, “Ready Player One” certainly looks like another ill-conceived Hollywood product, but this 71-year-old Hollywood veteran is determined to make something better than that. The movie’s greatest sequence is a prolonged homage to Stanley Kubrick’s “The Shining” too rich with details to spoil here, but needless to say, this is not a completely brainless blockbuster so much as an attempt to elevate the blockbuster form in its own language.
“Ready Player One” is one of the more clever excuses to run wild with special effects. Of course, that outcome makes sense from a filmmaker whose entire legacy has been steeped in showmanship. As it cycles through dozens of references to past achievements, “Ready Player One” amounts to a frenetic attempt at remaking the past 30-odd years of popular culture by one of its greatest architects. Without seeing the movie, it’s hard to imagine anyone could turn it into a satisfying product; by the end, it’s clear that only Steven Spielberg can.
Alegas a écrit:Mais il semblerait qu'on soit loin du block doudou que redoutent certains, tout en restant un grand spectacle assumé :On paper, “Ready Player One” certainly looks like another ill-conceived Hollywood product, but this 71-year-old Hollywood veteran is determined to make something better than that. The movie’s greatest sequence is a prolonged homage to Stanley Kubrick’s “The Shining” too rich with details to spoil here, but needless to say, this is not a completely brainless blockbuster so much as an attempt to elevate the blockbuster form in its own language.
READY PLAYER ONE feels like Spielberg watched a ton of Luc Besson movies and decided to outdo them. In terms of pure spectacle, it’s the most astonishing thing he’s done. Never underestimate Steve. #SXSW
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