1. Quelques minutes après minuit de Juan Antonio Bayona : 7,41/10 (17 notes) 2. La La Land de Damien Chazelle : 7,39/10 (26 notes) 3. Nocturnal animals de Tom Ford : 7,11/10 (19 notes)
4. Silence de Martin Scorsese : 5,93/10 (11 notes) 5. A Cure for Life de Gore Verbinski : 5,91/10 (8 notes) 6. Live by night de Ben Affleck : 5,86/10 (16 notes) 7. Moonlight de Barry Jenkins : 5,75/10 (12 notes) 8. John Wick 2 de Chad Stahelski : 5,59/10 (8 notes) 9. Loving de Jeff Nichols : 5,50/10 (9 notes) 10. Lego Batman, le film de Chris McKay : 5,45/10 (11 notes)
11. Tous en scène de Garth Jennings : 5,40/10 (5 notes) 12. The Birth of a nation de Nate Parker : 5,20/10 (5 notes) 13. Split de M. Night Shyamalan : 4,95/10 (10 notes) 14. Jackie de Pablo Larraín : 4,60/10 (10 notes) 15. Rock'n Roll de Guillaume Canet : 3,80/10 (5 notes)
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."
Mangold et Jackman ne se sont pas foutu de notre gueule, ils ont bel et bien livré un baroud d'honneur a Wolvie respectueux et radical dans son approche, sombre, ultra-violent (le R est pas là pour faire joli) mais aussi touchant. Un faux film de super héros, mais un vrai road movie funèbre.
"Our films were never intended for a passive audience. There are enough of those kinds of films being made. We wanted our audience to have to work, to have to think, to have to actually participate in order to enjoy them."