In contrast, Malick’s more recent works have rather notoriously adopted a more improvisational, stream-of-consciousness style, with dialogue kept to a minimum in favor of voiceover, scenes edited together in montage-like fashion, and huge swaths of footage left on the cutting-room floor. While the director has enjoyed the freedom that comes from this mode of production, he claims to be gravitating back toward working with clear scripts and pre-planned productions. (He recently finished shooting his WWII drama, Radegund, in Europe.) Malick does not see this as an imposition on his creativity, but, in fact, a better enabling factor: it is easier and more productive to go off the rails, he says, when rails are in place to begin with.
Malick a fait un coucou lors
d'une projection de Journey To Italy et confirme qu'il bosse à nouveau avec un scénario.
Sinon à noter qu'il a bien aimé la réal de Smokin’ Aces