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The movie is noted for a unique collaboration between Siegel and director Sam Peckinpah. An original mentor to Peckinpah, who at this time was banished from the industry due to his troubled film productions, Siegel gave the director a chance to return to filmmaking. He asked Peckinpah if he would be interested in directing 12 days of second unit work on the film. Peckinpah immediately accepted, and his earnest collaboration with his longtime friend was noted within the industry. While Peckinpah's work was uncredited, it would lead to his hiring as the director of his final film The Osterman Weekend (1983).
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