LES HUIT SALOPARDS de Quentin Tarantino

[Scalp]

Oh putain de la vraie neige !!!! dans un film !!!! ce truc de fou. Parait que certains réal (pas besoin de les nommer) ont déjà demandé à Tarantino comment il avait trouvé des cgi aussi bluffant pour sa neige.

[Jed_Trigado]

T'es en forme ce matin.

[Milkshake]

[Alegas]

Je rêve où le mec sur la dernière photo porte la même veste que Django ?

[Scalp]

Y a pas de petites économies

[Heatmann]

Bon Ben 10/10

[Alegas]

Y a pas de petites économies

Nan mais du coup je pensais plus à un caméo. Ça pourrait tout à fait se passer dans le même "univers", un peu comme Travolta dans Pulp Fiction qui est le frère de Keitel dans Reservoir Dogs.

[Mark Chopper]

Tatum sera au casting : vire un point.

un peu comme Travolta dans Pulp Fiction qui est le frère de Keitel dans Reservoir Dogs.

Madsen tu veux dire ?

Sinon, c'est plutôt Samuel sur la photo je pense vu le chapeau.

[Heatmann]

ah ouai merde j ai oublier ca . bon , ca peut viser le 9.5 , et meme le 10 quand meme si Channing se prend un head shot au bout de 2 plan comme dans le Mann

[Mark Chopper]

Ou en esclave sexuel comme dans This is the end. The Gimp parachuté dans un western

[Alegas]

un peu comme Travolta dans Pulp Fiction qui est le frère de Keitel dans Reservoir Dogs.

Madsen tu veux dire ?

Ouais Madsen, my bad.

[caducia]

[Milkshake]

D'après Harvey Weinstein, Tarantino a changé la fin du scénario.

Le film devrait être prêt pour la fin de l'année et la course aux Oscars 2016.

Weinstein espère convaincre avec son frère les studio et d'autre cinéastes (Scorsese, Spielberg) que Nolan et Tarantino à se mettre au 70mm/Imax.

DEADLINE: You mention Quentin Tarantino. How did all the turmoil—he shelved that movie after an actor’s agent leaked the script, he sued a website that served it up online—influence the finished product that Quentin puts into production this week?

WEINSTEIN: It was terribly unfair to Quentin. There was no consideration whatsoever. So many businesses today have this paradigm: how can I steal content from somebody else and charge for it? It’s like the old line. You go to your father’s clothing store and you walk out with six shirts and you sell them across the street, you understand that’s stealing. But people don’t understand that content is stealing and they stole Quentin’s content. It’s theft. He’s a tough and smart customer and what he’s done to that movie…I’m pretty close to him, but I had to go to the house and read the last chapter and it has changed. Right now, there’s one guy who knows the ending. The one I read, he made adjustments that will shock, surprise and delight. Me, the whole cast, we’re all guessing. There’s only one guy who knows what will happen.

DEADLINE: Will we be discussing it this time next year, when The Hateful Eight might be in the Oscar mix?

WEINSTEIN: I think it will be ready. Quentin is a filmmaker statesman in our industry who has innovated tremendous change, who loves movies. You talk about the movie theaters. Quentin’s the enemy of the new digital technology. If I were the movie theater chains I’d just play Hateful Eight forever, just figure out new and innovative ways to show it in 70 mm. But they won’t step up. We say, ‘We’ll help you with the cost, let’s show this on film.’ Right now, thanks to Chris Nolan and Quentin, film is coming back. We’re all helping Kodak. My brother is spearheading it with the other studios. We need theater owners to put some money into this effort. You show a 70 mm six track stereo Quentin Tarantino movie, and I’m sure Marty Scorsese would insist of showing his movie that way. Spielberg’s got a new movie, all these guys. Give them the tools and they will bring the audience.

DEADLINE: How close to extinction are 70 mm film projectors?

WEINSTEIN: Thank God we did The Master with Paul Thomas Anderson, it was our run through on an international level. We know where every 70 mm theater is in the world. Erik Lomis, who has run our distribution for years, he’s too busy to come to meetings. He says he’s in the spare parts business. He’s got guys all over, finding these film projectors and parts. Somebody’s got to say, screw it, I own Lincoln Square and I’m an IMAX theater and I’m going to work with IMAX and those guys and put in a 70 mm projection system that blows the doors off the joint. I didn’t see Interstellar in my neighborhood movie theater. I went to the Lincoln Square and got my head blown off and loved every second.

http://deadline.com/2015/01/harvey-weinstein-the-imitation-game-oscar-bad-mouthing-sony-hack-quentin-tarantino-1201358304/

[Milkshake]

[Jed_Trigado]

Comment ça fait plaisir de revoir Madsen dans un vrai film.